All-star operatic duo and real-life married couple Jocelyn Claire Thomas and Zachary Lenox serve up a feast of sumptuous songs, accompanied by pianist Jodi French.

In a twist on the Valentine’s Day concert, this recital will include and also go beyond romantic love songs to embrace love for friends, humanity, and the earth.

Zachary Lenox has been called “the star of the night” and “a broad, resonant baritone” and Jocelyn Claire Thomas has been called a “staggeringly brilliant… ethereal soprano.”

Most songs will be in English. All will have projected supertitles.

This remarkable collection of musicians—which includes performers from LA Opera, LA Master Chorale, and LA Philharmonic—have been described by the LA Times in superlative terms, such as “downright superhuman,” “worthy of our wonder,” “exquisite,” and “vibrant.”

Hot off her recent performances with the New York Philharmonic and concerts at the Lincoln Center, the Kennedy Center, and beyond, Grammy-winning soprano Estelí Gomez joins us with her longtime collaborator, the award-winning classical guitarist Colin Davin, for a recital that exalts the power of the natural world.

During the height of the Covid Pandemic, we engaged Estelí and Colin to record a video recital of classical and contemporary songs that take us on a journey into the beauty and vulnerability of nature.

Estelí Gomez can be heard on the Seattle Symphony’s 2017 recording of Nielsen’s Symphony No. 3, on the first track of the Silkroad Ensemble’s Grammy-winning 2016 album Sing Me Home, and on Roomful of Teeth’s 2014 Grammy-winning self-titled album featuring Caroline Shaw’s Partita, the work for which the composer was awarded the 2013 Pulitzer Prize.

Classical guitarist Colin Davin has appeared as a featured musical guest on the final season of The Late Show with David Letterman alongside the late Jessye Norman. He has performed across the world, including at Carnegie Hall, Alice Tully Hall, the Alhambra Palace in Granada, Spain, and the Paris Conservatoire.  He has “the distinct ability to wring the depths of expressiveness from all that he plays” (Classical Guitar Magazine).